Foxlowe
A compulsive and chilling debut about a girl growing up in a cult
‘Will lure you in – then cut to the kill’ Guardian
We were the Family, and Foxlowe was our home.
There was me – my name is Green – and my little sister, Blue. There was October, who we called Toby, and Ellensia, Dylan, Liberty, Pet and Egg. There was Richard, of course, who was one of the Founders. And there was Freya.
We were the Family, but we weren’t just an ordinary family. We were a new, better kind of family.
We didn’t need to go to school, because we had a new, better kind of education. We shared everything. We were close to the ancient way of living and the ancient landscape. We knew the moors, and the standing stones. We celebrated the solstice in the correct way, with honey and fruit and garlands of fresh flowers. We knew the Bad and we knew how to keep it away.
And we had Foxlowe, our home. Where we were free.
There really was no reason for anyone to want to leave.
‘Wonderfully tense’ Emerald Street
‘Mesmerising. It completely sweeps you up from beginning to end.’ Kate Hamer, author of The Doll Funeral
The Light At The End Of The Day
A family scattered.
Lovers torn apart.
A painting that unites them all.
When Jozef is commissioned to paint a portrait of the younger daughter of Kraków’s grand Oderfeldt family, it is only his desperate need for money that drives him to accept. He has no wish to indulge a pampered child-princess or her haughty, condescending parents – and almost doesn’t notice Alicia’s bookish older sister, Karolina.
But when he is ushered by a servant into their house on Kraków’s fashionable Bernadyńska street in the winter of 1937, he has no inkling of the way his life will become entangled with the Oderfeldts’. Or of the impact that the German invasion will have upon them all.
As Poland is engulfed by war, and Jozef’s painting is caught up in the tides of history, Alicia, Karolina and their parents are forced to flee – their Jewish identity transformed into something dangerous, and their comfortable lives overturned …
Spanning countries and decades The Light at the End of the Day is a heart-breaking novel of exile, survival and how we remember what is lost.
‘Psychologically acute and emotionally absorbing, this distinctive tale of a privileged Polish-Jewish family overcome by the horrors of war is full of unforgettable characters. The Oderfeldts’ refusal to believe what is happening to them at every turn has something urgent to say to us now’ Rachel Hore, author of Last Letter Home
'A beautiful and tragic story of love, cruelty and loss. Wasserberg is a natural storyteller with hypnotic descriptive powers. In her company you feel completely held, as if in the palm of a hand' Megan Bradbury. author of Everyone is Watching
‘A masterpiece of storytelling. Eleanor Wasserberg is a skilled portrait artist of the human instinct, and her characters are perfectly balanced in their intricate colours, beauty, and flaws. This book broke my heart’ Nick Bradley, author of The Cat and the City
'Haunting, magnificent and deeply personal. It will stay with you' Rachel Edwards, author of Darling
